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(0x80131904): Login failed: The HTTP request is unauthorized with client authentication scheme 'Anonymous'. How do I connect to Dynamics 365 Online with Azure Data Studio? SSMS: Connects with ease and allows full functionality. Interestingly I can launch a bash/ps shell in the environment. End of stack trace from previous location where exception was thrown -Īt .ExecuteWithThreadLocal(Task Scan it with your phone using the scanning option in LetsView or ApowerMirror. Open the screen mirroring app on both of your devices.Connect the TCL TV and phone to the same network via Wi-Fi.Use the same app on both devices – LetsView and ApowerMirror aren’t compatible with one another. Download and install LetsView or ApowerMirror on your smartphone and TCL TV.Here are the steps to complete the process: The connection process will be the same for both apps. We’ve selected two apps that perform better than most: LetsView and ApowerMirror. This function will be compatible with the latest Roku versions of TCL TV, although it might not work on earlier models. To connect an iPhone with your TCL TV, your phone will need to have AirPlay support. Once the adapter is installed, you can use the process described above to connect the TCL TV to your phone. These adapters hook up to your TV via USB. The easiest way to make the connection will be to use a wireless display adapter. If your phone supports Miracast but the TCL TV doesn’t, you’ll need a workaround to connect the devices. The exact steps will depend on your hardware and software version and may include entering a passcode.Ĭonnecting Your Android Phone With the TCL TV Without Miracast Connect the two devices by following the instructions on your phone.Find your TCL TV and tap on it to select it. Once you enable screen mirroring on your phone, you’ll see a list of available devices.Tap on “Screen mirroring.” You should see that the mirroring function is now turned on.Find the “Wireless display” option and tap to enter the menu.On your phone, go to “Settings,” then “Connection & sharing.”.Make sure that screen mirroring is enabled on your TCL TV.It’s crucial that both devices be on the same network. Connect your TCL TV and Android smartphone to Wi-Fi.If your phone has Miracast, connecting it to the TCL TV will be seamless. Connecting Your Android Phone With the TCL TV via Miracast Preacherman Ascends: The Alias Wars (Jan 2005-Feb 28, 2005) The first forum ban of an active participant was enacted in December 2004 when Natya was removed from the forums. This new oversite was soon tested by some Luxers, pusheding the limits to see what exactly would be acceptable in the future. An official set of forum rules appeared for the first time as well. The initial line-up had preacherman, michelle, sasquatch, and mbauer joining dustin as the forum overlords. November 2004 marked the introduction of moderators to the forums. At that time most sportsmanlike player awards were given to: preacherman, Pi, michelle, el toro, gibraltar monkey, mbauer, sasquatch, and shopi.Īs the number of online games grew so did activity in the forums. The first Luxtoberfest celebration was held in October 2004. Shopi was known to play a ridiculous amount of games, racking up a huge total that is still impressive today. The sign is infinity (st00pid mb) ∞ Preacherman often topped the rankings during this time with a remarkable +50% win percent ∞ Players such as shopi, michelle, Natya, furball and gibraltar monkey often dominated games. Most of these remarkable original members are still among us. Preacherman gathered a flock which eventually became the Semi-Holy Church of Lux. A mysterious long-haired figure from the east began preaching of figs, ducks and coffee. Preacherman and the Semi-Holy Church of Lux (Aug 2004-Dec 2004)Īfter the dust settled from the initial avalanche of Windows players, the core group of "older & wiser" Mac players struggled for an identity. Rankings became important and the taste of sweet raw created a hunger in many. "Asshat" and "wtf?" became catch phrases. There was a surge in new players and a noticeable increase in hostility during games. Lux became cross platform with the Windows/Linux release in June 2004. To The Power of Hex was released in February and quickly became map of choice for epic games. In January 2004 Preacherman created Risk Plus, UK, a USA map, and wrote the first version of the Map Tutorial (which at the time was for text editor XML junkies only). After Classic Risk, Battle of Europe and Spacestation Lux followed in late 2003. This period was also filled with the first custom maps. A list of the eldest online Luxers can be seen on the Old Guard page. There weren't many young players, but we did have Kef to kick around. Vonibot envisions the bots first doctrine. The continuously active players formed a loose brother/sisterhood (healthy respect, not the scary hillbilly kind). There wasn't a developed ranking system at first so a game win (1st place) was the only important goal. no freaky windows users!" The first version of Lux that supported networked games came out in September of 2003 and it was for Mac OS X only. "It was the best of times, it was the age of wisdom, it was the epoch of belief, it was the epoch of. "The Before Times" - Mac Only (September 2003 - May 2004) From the collective Luxer memory, the title has seemed to go as follows: The title of supposed "King of Lux" has gone through different hands many times. Lux 3 released August 2003 added support for custom designed maps. Lux 2 added support for multi-player networked games. The first version of Lux only supported the built-in random map generator, and only single-player. There does exist a wikipedia article about Lux, but this document has more flair! Since then, Lux has spread all over the world, spawned a series of expansion games, and become the Lux Delux of the now times. It was first available from the Sillysoft website and. Version 1.0 of Lux was released on Novemby Dustin Quasar Sacks in Montreal, Canada. In the course of those evaluations, participants completed both the Brief Assessment of Music Perception 25 (BAMP and the Montreal Battery for Evaluation of Amusia (MBEA) 32. Status as amusic or control was established prior to the study using the Montreal Protocol for Identification of Amusia 31. Participants were not told that the study involved singing unless they asked for more information, and no one with amusia declined to participate except those who had relocated. Details about socio-cultural background were not collected, but all participants were residents of Quebec, Canada. In all cases, however, a musical context guides the behavioral response.Įighteen adults with congenital amusia ( M = 57.0, SD = 20.8 years 12 female, 6 male), and 15 nonmusician controls ( M = 58.6, SD = 21.3 years 10 female, 5 male) were recruited from a database of individuals who participated in previous research. Production paradigms ( ‘sing the next note’) are less common and tend to be restricted to musically experienced participants 23. Variations of these methods reveal implicit tonal knowledge among children as young as 4–5 years old, nonmusicians, and even amusic individuals who have little or no awareness of music rules or theory 18, 19, 20, 21, 22. An irrelevant change on the target event, such as a change of timbre, will be more rapidly detected if the chord conforms to tonal expectations 17. Another widely used method consists of presenting a priming context of notes or chords that generate tonal expectancies for the final target event. In Western listeners, the ratings typically follow a profile where the tonic and closely related tones (the fifth and third degrees) are preferred over other scale and out-of-scale tones. Listeners rate whether the final tone fits the preceding context 16. For example, the classic probe tone technique consists of presenting a tonal sequence of pitches ending on a variable probe tone. Prior behavioral studies of inner tonal knowledge have used paradigms that induce a sense of tonality 15. We define tonality as adherence to a scale, specifically the major and minor scales of Western tonal music, which are most likely to be culturally familiar to our Canadian participants, as well as the tendency to return to the tonic at the end of a melody. Tonal hierarchical organization of pitch is central because it facilitates perception, memory, and performance by creating expectancies 13, 14. The organizational principle of tonality is largely absent in speech 9, 10, yet the presence of discrete pitches, often forming nonequidistant scales, is ‘statistically universal’ across musical systems 11, even as scales differ across societies 12. These tonal principles allow, for example, any individual to detect an out-of-scale note in the musical surface. Nonscale tones are the least stable and often sound “sour”. Among the other scale tones, there is a hierarchy of importance or stability 8. In such music, scale tones are organized around a central tone, sometimes called the tonic, which usually starts and ends a musical piece. Most tonal music uses 4–7 focal pitches, forming a scale. Here, we examine whether sung improvisations demonstrate what has been proposed as one of the fundamental components of musicality: tonal organization of pitch 6, 7. Musicality can be defined as, “a natural, spontaneously developing set of traits based on and constrained by our cognitive abilities and their underlying biology” 5. The findings are a proof of concept that improvisation can serve as a novel, even enjoyable method for systematically measuring hidden aspects of musicality across the spectrum of musical ability. The results show signatures of tonality in both nonmusicians and individuals with congenital amusia, who have notorious difficulty performing musical tasks that require explicit responses and memory. To assess the extent to which each improvisation reflects tonality, which has been proposed to be a core organizational principle of musicality and which is present within most music traditions, we developed a new algorithm that compares a sung excerpt to a probability density function representing the tonal hierarchy of Western music. Each sang 28 long improvisations as a response to a verbal prompt or a continuation of a melodic stem. Here, we exploit this natural inclination to probe implicit musical knowledge in 33 untrained and poor singers (amusia). Humans spontaneously invent songs from an early age. I think it should be trivial to write a portable script to do all those and bind it to conda env rename old new. #!/home/tgowda/miniconda3/envs/unsup/bin/python $ head -1 $(which jupyter) # check if updated So, we can easily fix it with a sed $ sed -i.bak "s:envs/$OLD/bin:envs/$NEW/bin:" $NEW/bin/* #!/home/tgowda/miniconda3/envs/rtg/bin/python $ head -1 $(which jupyter) # its hashbang is still looking at old home/tgowda/miniconda3/envs/unsup/bin/jupyter See jupyter, for example: $ which jupyter The pending task is, $NEW/bin dir has a bunch of executable scripts with hashbangs ( #!) pointing to the $OLD env paths. The previous answer reported upto this, but wait, we are not done yet! home/tgowda/miniconda3/envs/unsup/bin/python Here I am trying to rename rtg -> unsup (please bear with those names, this is my real use case) $ cd /home/tgowda/miniconda3/envs Hence, we need to go one more level deeper to get what we want. Simply renaming the directory, as in this previous answer breaks the hardcoded hashbangs(#!). Conda should have given us a simple tool like cond env rename but it hasn't. To create your environment, type conda create -n python3.7 anaconda, where is the name you want to give your.Note that if you ignore a suggestion to create a Conda environment, Påharm won't create a Python interperter for your project. Once you click OK, Påharm creates an environment and installs all the required packages. Keep the suggested options, or specify an alternative Conda executable. If you didn't create a project and configure a Python interpreter in that directory before, Påharm suggests creating a conda environment: Create a conda environment based on environment.ymlÄ«rowse for the directory which contains your source files and the environment.yml file, and then click Open (on Mac) or OK (on Windows): If the directory with your source files contains an environment.yml file, Påharm can create a conda environment based on it. The selected conda environment will be reused for the current project. Otherwise, specify the location of the conda executable, or click to browse for it.Ĭhoose the desired environment from the list. Normally, Påharm will detect conda installation. The following actions depend on whether you want to create a new conda environment or to use an existing one. In the left-hand pane of the Add Python Interpreter dialog, select Conda Environment. Click the Add Interpreter link next to the list of the available interpreters. Click the Add Interpreter link next to the list of the available interpreters.Ĭlick the Python Interpreter selector and choose Interpreter Settings. Press Ctrl+Alt+S to open Settings and go to Project: | Python Interpreter. Refer to the installation instructions for more details.Ĭlick the Python Interpreter selector and choose Add New Interpreter. Create a conda environmentÄ®nsure that Anaconda or Miniconda is downloaded and installed on your computer, and you're aware of a path to its executable file. Use the platform switcher at the top of this page to view shortcuts specific to your operating system. Type a descriptive name for the new environment, or use the existing name. Select the corresponding folder icon to choose the environment you want to import. The following procedure applies to all supported operating systems. In the Import Environment dialog, choose whether to import from your Local driveor from Anaconda Nucleus. Påharm supports creating virtual environments for Python with Conda. While there are a variety of different games available, the one (or more) that should be picked should have some connection on the kind of product or service your company is advertising. If you want to be the life of the party, this might be the way you choose to go. You literally need a cool prize and a fishbowl or something similar. This is most likely the easiest trade show booth idea to implement and then execute. The prize can be even bigger to really drive conversation, like an iPad or other electronic device that many people would covet or a cool gift basket filled with a bunch of items. you - a $25 or $50 investment in a cool prize is an amazing value proposition to get dozens or even hundreds of new leads from interested parties who want a chance to win something cool. Either way, holding a business card raffle and giving out a ballpoint pen would probably be a letdown for people who visited your booth.įor the booth operator - i.e. It could be normal swag or maybe just slightly above and make it a gift card to a popular store or restaurant. In order to entice trade show attendees to give out their personal information, there needs to be a coveted prize awaiting them. Have you ever wanted your potential customers’ information delivered to you in a nice, neat stack? Holding a business card raffle will do just that and is a low-effort way to have access to a new database of customers. While the main focus should be on making it a great pastime for your visitors, also make sure the trivia is appropriate, both in relation to your business’ message and also for mixed company. The trivia can be anything, from pop culture to sports to history or maybe even fun facts about your organization so your customers can learn more about your company. Or make it a more fun process with teams of trade show goers in a more interactive, real-time event to give the proceedings an engaging experience. You can either have people fill out a sheet or piece of paper with their contact information and hand it in to you, which would be an easy way to later connect with possible customers. There is no one way to do it but the top goal for your business should be for trade show game players to win a prize and have it be successful enough at event marketing to meet your business’ ultimate goals.ĭoing a general trivia game could be fun in either of the two ways it can be run. You can also have a variety of prizes available, ranging from standard trade show swag to a harder to win but more coveted giveaway that you feel is appropriate for the setting. You can have a big, physical prize wheel or go digital on the trade show floor but either way, the interactive nature will draw excitement to your booth and you can further your own promotion by asking for contact information like email addresses or phone numbers in order to register for their chance at some great swag. Some people really enjoy games of chance and spinning a wheel with a small probability of getting the best prize certainly fits into that category. Shipping to a Trade Show with R+L Global Logistics. Having relinquished Ice to Tywin Lannister, Ser Ilyn Payne now wields a greatsword with a chunk of dragonglass carved in the shape of a grinning skull on its pommel. Sam attempts to stab him with the dragonglass dagger, but it shatters upon contact with Paul's chainmail. Sam and Gilly, escaping from the mutiny at Craster's Keep, are menaced by a wight which was once Small Paul. Sam remarks that the children of the forest would know where to find obsidian, but Lord Commander Mormont tells him that the children are all dead. The Lord Commander of the Night's Watch tells Sam that if dragonglass kills the Others as Sam claims, he wants more of it. Īt Craster's Keep, Samwell discusses obsidian with Jeor Mormont. Grenn goes to scoop up the dragonglass dagger, but has to fling it down again as it is extremely cold. Only the dagger remains, wreathed in steam. The dagger causes the Other to shrink and puddle, dissolving away in twenty heartbeats. In a blind panic, Sam slays the Other by stabbing it with the dragonglass dagger given to him by Jon. Upon an undead horse, a lone Other appears. Samwell and the few survivors from the fight at the Fist escape south with a heavy snow falling. After the death of the Undying Ones, Xaro Xhoan Daxos tells Daenerys that glass candles that have not burned in a hundred years are now burning in the house of Urrathon Night-Walker. The dragonglass is among the many offerings Daenerys sells to gather the wealth she ends up wasting on the Pureborn. ĭuring Daenerys Targaryen's stay in Qarth, dragonglass from Asshai is among the gifts she receives from people seeking to learn the truth behind the rumors about living dragons. Jon gives Samwell Tarly a spearhead and a dozen arrowheads as well, and passes the rest out among his other friends for luck. Beneath the dragonglass is an old warhorn, and when Jon shakes the dirt from inside it, a stream of arrowheads falls out. Jon Snow gives Samwell Tarly a dragonglass dagger, by Algesiras ©Īt the Fist of the First Men, Jon Snow discovers a cache of knives, leaf-shaped spearheads, and numerous arrowheads made of obsidian. He thinks it is beautiful, and asks Luwin if he can keep one. Bran examines an arrowhead, noticing that the black glass is slick and shiny. In his turret in Winterfell, Maester Luwin shows a handful of arrowheads to Bran Stark, Rickon Stark, and Osha. Roro Uhoris sailed Cobblecat into the Shivering Sea to trade steel to the free folk for ivory, furs, amber, and obsidian. ĭuring the Doom of Valyria, red clouds rained down dragonglass and the black blood of demons. During the Age of Heroes, it was recorded by the Night's Watch that the children of the forest gave the black brothers a hundred obsidian daggers every year. In their war against the First Men, the children with their dragonglass weapons could not stand against the bronze weapons of the First Men. During the Dawn Age, the children fought against their greatest foes, the giants, with obsidian weapons, as possibly proved by Maester Kennet, whose study describes a giant's burial at a barrow near the Long Lake, who had obsidian arrowheads amidst his extant ribs. The children of the forest made tools and weapons out of dragonglass, including daggers, blades, and arrowheads. The dark eyes of Lord Rogar Baratheon have been compared to obsidian, as have the shiny eyes of Ser Alliser Thorne. Ī bronze arch in Qarth depicts two snakes mating, and their scales are made of delicate flakes of jade, obsidian, and lapis lazuli. īefore acolytes of the Citadel say their vows, they must spend a night attempting to light a candle of obsidian. ĭagmer Cleftjaw has rings set with chunks of sapphire, garnet, and dragonglass. Mors Umber wears a chunk of dragonglass in place of a lost eye. Ser Brynden Tully has a brooch depicting a black fish in gold and obsidian. An acolyte of the Citadel attempts to light a dragonglass candle, from Game of Thrones Blu-ray Watch your tires turn in a cloud of smoke-like mist as you do burnouts around your competitors.SpecificationsNumber of Pieces: 2Dimensions (Overall): 3.89 Inches (H) x 12.1 Inches (W) x 6.03 Inches (D)Weight: 1. Take charge of the action from a distance with 2.4 GHZ wireless control. 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We supply brands like HSP Racing, Himoto Racing, BSD Racing, SST Racing, SKYRC Chargers, TFL Boats, Heng Long Tanks, MJX Drones, SJ Drones, WL Toys and DHK Hobby. With such are large range there something for everyone. The origin of the Mini-Cassettes as a whole is unknown. The Headmasters #8 Dreamwave Generation One continuity After Chromedome blasted Soundblaster into the distance, his remaining Cassettes crowded around the Decepticon tapedeck as he shook the stars from his eyes. He dispatched Overkill and Slugfest to attack the Witwickys but they were, um.overpowered by Daniel Witwicky. The Dormant Volcano Mysteriously Erupts Explosion on Mars!! MegaZarak Appears Return of the Immortal Emperor SOS from Planet Sandraīattle for Defense of the False Planet Head Formation of Friendship The Zarak Shield Turns the Tide Operation: Destroy the DecepticonsĪs the Autobots prepared to leave Earth and pursue Scorponok's forces into space, Soundblaster of all the Decepticons stayed behind to continue tormenting humanity. The Mystery of Planet Master Birth of the Fantastic Double Prime The Great Cassette Operation Terror! The Six Shadows Cybertron Is in Grave Danger, Part 1 You can help Transformers Wiki by expanding it. Scramble City: Mobilization The Headmasters cartoon Fight! Super Robot Lifeform Transformers #7 Scramble City cartoon Their ruse was soon uncovered by Eject and Rewind, who ripped off the Decepticons' robes to reveal their true selves. Disguised in full-body cloaks and masks, they staged rallys against the Autobots and convince mankind that the Decepticons were their true friends. When the Stunticons attempted to frame the Autobots for their evil deeds, Rumble and Frenzy appealed directly to the human race for Decepticon support. Fight! Super Robot Lifeform Transformers #2 Cliffjumper was able to grab them while they were still in their cassette forms, pulling out their magnetic tape. Using a patented Bumble Kick, the small Autobot damaged Soundwave's chest compartment, so that when Ravage and the others attempted to hide from the Autobots inside their master, they bounced fruitlessly off of Soundwave. Bumblebee managed to evade the Cassettes long enough for Ironhide and Cliffjumper to arrive as back-up. Powerglide managed to sweep Kenji to safety, but Bumblebee was then confronted by Rumble, Laserbeak and Ratbat as well. Ravage attacked Kenji and Bumblebee in Tokyo while the rest of the Autobots were occupied by Megatron's forces. The Transformers Japanese cartoon continuity Fight! Super Robot Lifeform Transformers manga They were interrupted during their excavation by Hot Rod, who successfully disabled Soundwave and his various helpers, retrieving the Matrix. In the year 2001, Soundwave unleashed his army of new Mini-Cassettes to steal the Autobot Matrix of Leadership from a secure bunker at the construction site of Autobot City on Earth. Some time after that, Overkill and Slugfest also joined Soundwave's troops. Years later, Ratbat joined the cassette forces like Laserbeak, he specialized in spy work and reconnaissance, particularly in tight quarters inaccessible to Laserbeak. Countdown to Extinction Atlantis, Arise! The Immobilizer The less-seen Buzzsaw and Frenzy also appeared on occasion, usually acting in conjunction with Laserbeak and Rumble, respectively. More than Meets the Eye, Part 2 Rumble was used more often to destroy stuff, though all three frequently engaged in battle. Divide and Conquer Ravage likewise used his cassette mode to infiltrate Teletraan I and steal information about Earth's resources. Laserbeak was frequently sent to spy on the Autobots at Autobot Headquarters, once using his cassette form to sneak in. Buster Witwicky and the Car Wash of Doom Generation 1 cartoon continuity The Transformers cartoon Ratbat assumed a cassette form upon traveling to Earth, and used this disguise to monitor his human accomplices. Only Laserbeak remained operative, acting as a sort of totem of Decepticon leadership. Power Play! Three of the cassette troops were taken out of play by Omega Supreme Command Performances! and remained inoperative for quite some time, while Ravage was dropped into a mine shaft by the Autobot Skids, Showdown! taking him out of play for even longer. DIS-Integrated Circuits! Ravage used his cassette form on several occasions to spy on humans. Rumble and Frenzy frequently hitched rides in the cockpit of the Decepticon jets, for example. More often, the Mini-Cassette troops used their small alternate modes for stealth, disguise and transportation by other characters. Soundwave occasionally carried Laserbeak within his chest compartment, releasing him for surprise attacks. You can help Transformers Wiki by expanding it.įor the most part, the Decepticon Mini-Cassettes did not appear to have a particularly special or unique relationship with Soundwave. This article on a faction, government, organization or subgroup, is a stub and is missing information. |